Blacklanderz®Convos!
Outlander S7 Epi4 – A Most Uncomfortable Woman
Written by Marque Franklin-Williams | Directed by Jacquie Gould
This conversation is between Blacklanderz® Evelyn, Marsha, and Marva (MJ). Arranged and edited by Vida; this week, she interrupts – a lot!
M: I got such a good feeling seeing Lallybroch! Seeing Roger and Bree renovating their new home filled me with such a warm feeling inside. And it makes complete sense to me that they would want to surround themselves with the loving energy of their families that flows through those walls. By the way, a moment to enjoy their updated looks! I love how Roger looks here. He moves with more confidence; and that beard is giving me life (I want to play in it). Bree looks very vibrant and trendy in her jeans. Sigh, they gave Bree Jamie’s S4 bangs (I mean, literally). They will grow on me, I guess.
E: I too enjoy seeing Lallybroch. It makes me long for earlier seasons. Hopefully, they will fill the house with lots of family and friends. I’m still getting used to Roger’s hair cut short. HE was one of the few who didn’t need to wear a wig and now I’m missing those locks. Bree & Roger look very happy to be at Lallybroch. I hope it brings them closer to her parents.
It was great, and it is such a cool time period to be in. It was like our own little world, it was like a different show. We said that a few times, didn’t we?
We didn’t come across anyone else. We were all on our own, we were shooting in a contemporary time.
Yeah, this was a tough season because we had so many different time periods and they were all taking place at Lallybroch. We knew early on that art department could only do so much. And out of that came this idea actually of the trailer that you see outside of Lallybroch, where Brianna and Roger are living.
MJ: Roger is giving me big daddy energy here! He’s comfortable in that role, and in this time period. As that little red car drove up, it reminded me so much of earlier seasons. It also reminded me of the early 80s and a certain little car I had back in the day. The production is doing well portraying the time period!
M: Oh boy…. Bree and Roger have their hands full with these two lol! Mandy is headstrong. I can tell that from this one scene. She is Bree and Claire all wrapped up in one ball of fiery energy. She is not afraid of anything. Jem has grown so fast! I didn’t expect to see him be that tall already (I miss the old Jemmy, but I get it). I know he is smart too. We will see how his story unfolds as episodes continue.
E: Nothing like a baby sibling to stir up all sorts of trouble! I can tell already that Mandy is going to rule this roost and her brother. She is headstrong and not ashamed of it. I do enjoy the heavy Scottish accents from them both. I don’t know why I expected them to have mild ones when Jemmy learned to speak around a lot of Scottish folk.
MJ: Did you see the little smirks from both of them at the end of that? I don’t know if it was just kid actors breaking character, but it did seem real; tattling and getting the parents to make the other kid say “sorry” was part of the battle.
M: Renovating Lallybroch is a lofty goal! They have to get it done though. Do you know how hard it must be to live in that cramped camper with two rambunctious kids for two
years?! Whew!
They spent most of what they had fixing up their home and they still have a way to go before they are done. I know Bree had Claire and Frank’s assets to draw from since Claire transferred everything into her name before she time traveled back to rejoin Jamie; it may be time to find some jobs.
I was so excited to be [there] because I’ve never been. I was just filled with absolute wonder and excitement because these guys have all been there. It’s a family estate and, you know, Jamie Fraser’s home.
E: I hope they didn’t bite off more than they can chew with Lallybroch. Renovating a centuries old house has got to be trying.
I would have not been so calm after seeing the updated bill. I probably would have laughed right in that contractor’s face. You’re right Marsha, it’s time to find a job. Best not to deplete all the savings.
MJ: They both should have skills that qualify them for 20th century jobs, despite the long absence! That contractor is shady as heck. You don’t change the estimate by that much in the middle of a job!
M: I think that was William’s face in the water.
E: I missed that! I fast forward through the credits. I am still getting used to the new version of the Skye Boat song.
MJ: I’ll have to watch again to catch that, Marsha! Evelyn, I never fast forward; I always sing along!
M: This opening forest scene – shout out to Ian as he collects wood. He is so badass. I love his grown, focused energy.
V: He really is. Totally agree. I’ve loved watching him grow and mature throughout the seasons.
V: That’s crazy that Highlanders are suspicious of fresh fruit.
M: Hahaha! You are so right, Vida!
M: This scene was enjoyable watching them banter with such lighthearted ease. Watching them interact this way just makes me smile. Claire knew Jamie was full of it when he said he was looking for an apple. She knew that big man needed more sustenance and pulled out that block of cheese. Did you see the way his entire face just lit up when he saw it?! That man was hungry!
MJ: I love the way he teases her. It just feels real. Very, very good friends who know and respect each other deeply.
E: I laughed so hard when Claire was like, “What are you looking for?” She knows Jamie through and through and an apple was just not going to cut it. He was hungry when that cheese came out. LOL!
V: But what’s even crazier is the fact that there are probably not a lot of women Claire’s age with all of their teeth. But, Jamie, you’re so wrong for calling her an old crone.
M: I howled when he called Claire an old crone! I just love their characters.
M: I had to take a moment to enjoy the forest which is purely breathtaking. It’s really the other character in this scene. Okay back to young Ian, who is not to be messed with at all! Arch’s threat really got to him, and he is determined to not be caught off guard. Ian is on high alert!
Who’s there?
E: Ian had me believing that there was someone out there following them. Honestly, Arch is going to have to ambush them because Ian will hear him coming and take him out, if Jamie doesn’t get to Arch first.
Arch Bug?
Is that you?
M: The other part of Ian is taunting Arch to reveal himself, so they can end this standoff once and for all. His concern is not for himself; it is for Jamie and Claire because Arch knows how much he loves them. He does not take Arch’s threat to kill someone he loves lightly.
Show yourself.
I’m not afraid of ya.
I ken ye made a promise,
and I ken ye mean to keep it.
Well, then, let’s settle it
here and now, man.
I’m not afraid of yes, do you hear?
E: Ian was ready to handle his business right then and there. I know he loves Jamie and Claire, but when Arch asked to kill Rollo, I was up in arms. No way on the pup!
MJ: Guys, you have to admit, the old dude was slick. Poor little Ian has to live with Arch in his head 24-7 for the rest of his life, or until Arch makes good on his promise.
Calm yourself!
It’s not him. It’s in your head.
M: That vomit looked nasty and had eggs in it! Thanks to the production crew (we really didn’t need to see that). This was a good scene establishing William and his cousin’s relationship.
E: Times have not changed. A couple of 20-something-year-olds drinking until they puke. I didn’t need to see the vomit either. When did it become standard to show it? The sound is all you need to know what is going on. William is a bit too flag wavy for me in this scene.
MJ: Ugh, I third the feelings about the vomit. Me and the production company are about to have words. How did they manage to make it gross AND kind of fake-looking at the same time? You are right though, Evelyn. Twenty-year-olds do what 20-year-olds do, no matter the century.
M: I guess William let you know exactly how he feels about the Declaration when he ripped it off the wall and handed it to his cousin to wipe his mouth with it. Dang…the disrespect! Ha-ha!
William, still not posted, is waiting for his orders so he understands his particular role in the war. He is celebrating his cousin’s recent posting.
E: William is a bit too flag wavy for me in this scene. Giving the Declaration to his cousin to wipe off his mouth was almost too much after his mini speech. William will get his post soon. Let’s hope for everyone’s sake it’s not in the middle of a fire fight.
I think when we meet him at the beginning [of this season], he’s still quite naive. He still doesn’t really understand how the world works, he has really romanticised ideas about war.
M: This scene is horrific on so many levels! The degradation of this woman and the surrounding of these soldiers who go after her like a pack of wild dogs!
They taunt, humiliate, and torture her, all while laughing and drinking might I add.
Ultimately, they set her on fire, listening to her blood curdling screams as she burns to death. I have to admit, I am triggered by this scene.
E: I did not see this coming. The taunting and cheering were awful.
I can’t believe William’s cousin held him back from helping that poor woman. Only when they set her on fire was he able to help her, but it was too late. That was a horrible scene.
M: The only man of worth is William, who is shocked as he takes in what is transpiring, and angrily challenges the group, then removes his coat to try to cover her by putting out the fire. First indication of “Jamie” behavior. Like father, like son. We shall see.
Though, William can’t believe his eyes…that these men he serves with would do such a thing to an innocent person, and then be entertained by her murder?! What kind of people are these to do such a thing?
E: Yes, like his father, William wants to be honorable and respectful, but this entire group of soldiers need to be severely punished for what they did to that poor woman.
Drinking shows you who people really are.
There are a lot of similarities with both of his dads. We had a lot of discussions about this, about what William would bring to the table in terms of how he relates to both of his parents.
It was important that he had some similarities to Jamie, like in his passion.
But he is his own person, right? He is not a carbon copy of one or the other. He has quite a few traits from John Grey because obviously, he raised him. So the way that I present myself, the diplomatic way that I speak, that’s from Lord John Grey.
MJ: I had some issues with this scene, actually. What was actually stopping him from helping her before?
He seemed to lightly attempt to push past a soldier after his cousin stopped him the first time.
Lightly, but with no real zeal. If you’re going to be brave and be lauded as a hero, please jump in BEFORE I suffer and burn to death.
V: Okay, is Roger reading all that to write a “How to Time Travel” book?
See, I told you last week that it wasn’t a musket ball, Mr. Man.
M: Ha-ha… that’s right, Vida! There goes that musket ball! It sounds like it is time to cash in on that gold musket ball. Hmm . . . I think it’s time to talk to Jemmy about Grandda’s secret hiding place. Hey, we can finish the house now! And Geillis was full of it with her blood sacrifice beliefs!
E: I’m so glad the mystery of the musket ball is solved! Sounds like Roger and Bree are still strapped for cash, and it is high time to ask Jemmy where the Spaniard’s cave is. Of course that would mean a trip back to the states and to North Carolina to retrieve it, but they need the money! Is Roger writing a tell all book for the children and future grandchildren? Why is he reading Geillis’ book on how to time travel?
MJ: Well, I guess since he’s a professor, he’s a researcher who works from multiple sources! I think it’d be cool if Diana Gabaldon published that book later – “A Guide for Time Travelers by Roger MacKenzie.” Kind of like Rowling’s guides to the animals. The time travel part of this story has always fascinated me, and I want to know more.
Do you mean Richard? No, I love our kids. It has been really difficult and in previous seasons it was difficult especially when they were really young babies. Even for these kids it’s daunting coming on to a set, you’ve got all these big cameras looking at you. And people staring at you expecting something from you. You can see why kids get a little scared.
I think we’re lucky in that because it’s a long season and we get so much time with these kids, we also get to help them and see them grow and see the trust for us grow. We’re kind of like their parents now, it’s cute.
V: Bree, you birthed this child and his sister 200 years ago, traveled through some stones and now you’re doubting what he is saying about fairy folks? Seriously? Pocket money? Man, in my day, you didn’t get an allowance until you did some tasks around the house.
M: Bree’s “Jamie bangs” open this scene first, followed by Bree. Sorry, I am not over these bangs yet; it’s the first thing I see when I see her. It’s good to see their progress with the house though. So glad they are finally living inside their home now.
But Bree, why are you acting like supernatural elements don’t exist when Jemmy is trying to TELL you something?? If he really did take it apart, I get it. But, I don’t know. I think I would have to investigate first, anytime either of my kids make that kind of reference about anything.
E: Those bangs are bothersome. Now that you have pointed them out, Marsha, I can’t stop staring at them.
MJ: I hadn’t thought about it previously, but you guys are right. Why on earth would Jemmy’s parents, of all people, doubt the presence of the supernatural? Poor Jemmy. I bet he had plans for that week’s pocket money! Hah! He didn’t squawk about the punishment, though.
V: I guess he is reading all of that for a book. I am not sure if THAT is a good idea to have something of that nature in publication.
M: I agree, Vida. Yep, it sounds like it is time to cash in on that gold musket ball and finish the house! My next words would be, “Jemmy where’s Grandda’s secret hiding place?”
[Jem] is at an age where we would talk about that — and would [then] think twice. Talking about it at school, telling his classmates [who would] ask questions. That could get hellish and complicated.
E: I’m right there with you, Marsha! The weeuns are getting on Bree’s last nerve. I would make Jemmy find all of the pieces.
MJ: Me too. I’d have at least gone scrounging around that old box seeing if there were more of those little balls in there. Surely there wasn’t just one.
M: What a sweet memory about Jamie seated in that home, Laird of Lallybroch. As he sits there, fondly reminiscing about Jamie and all he learned from him, I believe Roger is wondering if he has that Laird feeling too? Maybe Roger feels a responsibility to restore this home to its proper status in the family, in homage to Jamie.
I began noticing that I don’t think Bree and Roger kiss on the lips since they returned to present day. They are cheekin’ it most of the time even in private. To me, that doesn’t seem natural for them. What’s up with that?! Maybe it’s me. How does it seem to you?
E: There seems to be some tension there between them, but I am not sure what the underlying cause is. Hopefully, they will get past it. I think he has always felt out of sorts. He doesn’t use his hands nor is he a fighter like Jamie. He really is a 20th century guy who is really looking for his place in the world. Hopefully, he will find it now that they are back in his right century.
MJ: He is not giving me “Laird of Lallybroch” at all. He’s giving me good daddy and life partner. Which is enough for her, I think.
M: William looks GOOD in uniform! Okay, I’m back now. I have to get these statements out first before I can focus. LOL.
He does have a sense of regalness to his personality that is very Jamie-esque. Finally, has his extremely confidential orders!
E: Like father, like son! When well-dressed, they are very handsome indeed. I sure hope he can get this job done.
I’m not so sure William is the best person for spying, but what the heck. If it will keep him away from the fighting, I’m for it!
MJ: Yes, I can’t help but spend some of the time that William is on the screen comparing him to Jamie Fraser. I like how you put it, Marsha – a sense of regalness. Yes, it’s there in father and son – devastatingly handsome.
M: One… two… three … eight . . .
Bree is pissed! Campbell is so condescending! Fetch me! WTH?!
She follows with her qualifications and is met with “you’re a woman” as a response. AS IF!
E: I’m sorry, even in 1980, women were still seen as the ‘coffee getter’. It’s not that long ago. Ugh!
Here are my credentials.
As you can see, I was working toward my degree
in engineering at MIT.
I’m sorry, there’s been a . . .
a misunderstanding. Eh, it’s a
secretary we’ll be needin’.
MJ: I love the looks exchanged between Bree and the lady behind the service counter. Such is the burden of dealing with men, it seemed to say.
Perhaps so. But I’m applying for
the plant inspector position.But . . . you’re a woman.
And what aspects of plant
inspection require a penis?
M: After hearing Campbell’s lame comments about her solid qualifications, Bree continues to fume (and, there goes nine…ten!) in her head. She goes on to inquire about the penis qualification (where exactly is that listed in the job announcement)? Go, Bree, go! Don’t stop there. Show him for the complete asshole he is! Rip him a new one!
E: I am so glad she stuck it to him. She is clearly qualified. I thought he was going to jump out of his skin after she asked him if a penis was required. I got the biggest giggle when she asked him if he hired malevolent men. LOL!!
MJ: Dude nearly coughed up his coffee and two sugars when she said, “penis.”
M: “Womansplain” for him! She thoroughly tore apart his theory that only men can function effectively in that space! After pointing out so many quickly observed dereliction of care of that space, he was absolutely shocked and amazed by her intelligence. Not only can she tell you what’s wrong, she can tell you how to fix it. How’s that old guard b.s. working for you now, Campbell?! What ’cha gonna do about it?! You’d be lucky to have her.
E: Tell him Bree! Don’t take his silly arguments. You got this!
MJ: To me, she seemed a little rehearsed with her speech. Had her time in the 18th century prepared her for what she’d be up against? She’d done her homework, and then some. And she’s got a bit of her mother’s sharp tongue, it seems.
M: Beautiful, mysterious scenery as usual! That horse is majestic looking.
E: I am enjoying the woods. We haven’t really seen a lot of the scenery in some time, and it is lovely. Does William know his way around? It’s not like there are mile markers or signposts to guide him to where he is going.
Sam and I talked quite a bit about the mannerisms he has in the show. I didn’t want to do too many of the same because William is his own person… but William spent a lot of time with Jamie when he was younger not knowing he was his father… Jamie does this thing with his eyes, and with his little finger when he’s thinking.
We incorporated a little bit of that. It was just some subtle things. The subtleties are important. But the broader strokes are that fire and indomitable will.
M: Another Jamie trait observed, William has that Jamie wide back. 🙂
E: Smiling.
MJ: Oh yeah, I see you two spending time doing some William gazing as well. It’s neat to watch for the similarities.
What’s with the cat in the tree? Wildcat? Another point where the production team kind of throws me out of the story. Why the heck was it there? What did it portend? Was it just meant to show, “hey there are wild and dangerous creatures here – look, here’s a quick flash of one now”?
V: Yeah, it threw me too. That was a big ass, well-fed wildcat looking for its next meal. And yes, I do think it’s to make the audience aware of William’s surroundings, even if he is unaware.
M: How horrible! Snakes and Frasers do not make for good company at all!
William’s journey into the Great Dismal (back in the day, “dismal” was a word that just meant “swamp”) takes a bit more room in the book, but I admit that trying to film a cottonmouth chasing William (they really do chase people, if riled up enough) would be a) difficult and b) time-consuming, and there is a lot of more important material to cover.
E: Snakes and horses. I thought all of the horses were trained to not be spooked of too many things. How in the world are they to manage being ridden into battle if a snake spooks them?
Things don’t go as planned for him. So he has a lot of growing to do still. And he does, I think, come out of this a better person for sure.
M: When he fell off the horse and rolled down that hill, I did not think he would have a branch stuck through his arm!
E: When that shot of the broken branch popped up I was like, uh-oh. I sure hope it didn’t wind up in a bad place on William.
MJ: I’m mad about that horse running off and leaving him, Evelyn. A good dog, like Rollo, wouldn’t do that!
M: I would have gone into shock at that moment. He is panicked, but he knows he must collect himself. Now, where is his horse, Jupiter?!
E: That horse is long gone. Probably in a field snacking on something tasty. William does have the good sense to put a tourniquet on his arm. That looks bad and i bet it hurts worse.
E: The way he called Jamie’s name should have kept him walking.
No good can come of this random shout out in the middle of a crowded square.
M: Jamie sees Harnett and they discuss the cause. Jamie is concerned about the direction this conversation is headed.
Didn’t you see me on my way somewhere man? Why did you stop me? Why are you asking me to drop everything right in this moment to follow you, as though nothing else matters?! Jamie is pissed.
M: Jamie is looking at Harnett with contempt! I can hear Jamie say, “Harnett, are you mad?!” Whenever Jamie pouts, he feels like his life is taking a turn that is unavoidable and uncontrollable, and that does not make him happy at all. Even his attempts at persuasion fall on deaf ears. Harnett knows Jamie’s value as a leader, and he wants him…period.
E: Every time Jamie wants to do something for himself, he gets railroaded. Someone takes his agency away and makes sure he can’t say no. I would run and get on that boat to Scotland, but that’s just me.
MJ: This is crazy. How can Jamie be shanghaied like that? It’s infuriating. Plus, I wanted to see the folks in Scotland again! I’m ready for Jenny to see Young Ian again and say, What the Actual F!!!! LOL. I’m disappointed.
Jamie was quite pigheaded at the start, fiery and passionate. As he’s aged, he’s gotten more stable, more calculated. He still has that fire in him, but he’s learned to control it.
M: Jamie is so full of conflict. He wants to get on rebuilding the life he and Claire just lost. He is also not afraid to fight; and he will not send anyone in his place to fight. Knowing that they will win the war is reassuring.
E: I’m conflicted. I know you can be conscripted but come on. How much of your life do you have to give to other people’s wars? Jamie and Claire just want to rebuild and live out the rest of their lives in peace.
MJ: How could anyone ask someone to fight for them? Especially not a man as honorable as Jamie? Evelyn, it seems time and/or fate never wants to leave the Frasers alone.
M: Claire and Ian let Jamie know in no uncertain terms, they have his back and will follow him. I love the way they support each other. Claire is never intentionally leaving his side (oh, see what I did there?).
E: Good ole Claire. Never one to shy away from danger when necessary. It’s best they both go together.
MJ: In no uncertain terms, should Jamie ever go anywhere without Claire and Ian!
He needs a surgeon to heal him, and a ruthless warrior to watch his back!
M: Ian loves this land, and he will stay and fight for it any way he can. Ian knows that Indigenous people are assisting in different locations in Virginia so he will seek them out if Harnett approves.
When they are all finished with their responsibilities to the war, they plan to all go to Scotland together, keeping Jamie’s word to his sister, to bring Ian home.
E: I understand why Ian wants to fight. He practically grew up in the America’s and this is where he was married.
MJ: I worry about Ian, though. I’m not sure the American soldiers would have their native partners best interests at heart.
They’re very accustomed to war. The very first scene we ever filmed of Outlander was Claire in World War II. In a weird way, they’re grizzled veterans of war, Jamie and Claire, but we have different characters joining. We have young Ian (John Bell), and William, who doesn’t know the difference between what he reads about war and reality. It’s how war affects their loved ones more than it affects them.
M: Good Dad listening skills. Sudden quiet means something’s up! Dang Jemmy, you locked up your sister in the priest hole? At least Mandy thought it was fun.
E: Nothing good is happening when the kids go silent. Good on Roger to go check.
MJ: Hah. I laughed when he immediately stopped what he was doing when things got quiet.
Mandy’s just fine with being put in the hole. It’s all a battle of wits and wills with her big brother. She’s playing the long game. LOL.
M: Bree feels disappointed that Roger isn’t happy about her getting the job. He is struggling with guilty feelings for not solely providing for his family. In that time, it was common thinking. But there is more to reveal about his feelings here.
E: Why is he not happy for her? HE has no idea what she had to go through to get the job!
M: He is struggling with guilty feelings for not solely providing for his family. In that time, that was common thinking. But there is more to reveal about his feelings here.
I got the job!
It’s hard for Roger not really knowing his calling again. For Brianna, it’s a lot easier in that she’s found her calling again. She can go and be an engineer, which is what she struggled with in the past not being able to do. I think it just means that even now when these problems arise, they are better equipped as a couple to deal with it because they’re both feeling more settled in terms of being back in their own time.
M: This scene shows the continuous growth of this marriage. Bree is misreading signals.
Roger is sending off signals that mean differently than intended. He was also surprised that men would hire a woman for such a substantial job no matter how qualified she was, because that was the time back then. He had no doubts about her ability to perform in that job. They just need to talk about this more in depth. I hope they can seize the opportunity.
E: They really need the money and I’m glad that she got the job. He is being a stick in the mud and bringing her excitement down with his lack of enthusiasm.
MJ: Hah. Well, no wonder he gave her such a cruddy good luck kiss!
M: The conflict for him doesn’t have anything to do with her rise in employment, it has to do with his feelings of inadequacy… the entire weight of “properly” caring for his family and what that means, as he remembers Jamie, as an example.
Because you want to be the breadwinner.
E: Ah, here is the source of tension. He has always struggled with providing for his family in the way that he feels is right. He will find his way soon I hope.
MJ: I think the best ministers have questions. He is always examining his faith and comparing it to how it functions in the real world. He is making new connections based on the fire’s outcome. But as I book reader, I think his assumptions here are in conflict with what happened in the book. Still, he is always a deep thinker and one who reflects on his thinking and actions. I love that about him.
Well, call me old-fashioned, but yeah.
More than anything, I just want
to support my wife and children
and . . .I’m not.
People are often just subject to their environment. If you look at the massive change they’ve gone through, from the dangers and threats of the oncoming American Revolution to the relatively safe haven of a modern ’80s domestic life, you kind of feel like saying to Roger, ‘Who cares? Look what you’ve just come from! Just chill for a minute and enjoy life in the ’80s.’
M: He is also reminded of the talks he had with Jamie and with Claire on different occasions. Following Jamie’s examples are tough shoes to fill. Jamie is bigger than life at times. Even though he had Jamie and Claire’s love, blessings, and support, he doesn’t feel completely adequate in this regard.
He is still finding his footing in the world. I am glad he communicates better than Bree. Her first stop is anger because she is fiery by nature. He needed to talk to her about how he was feeling, in the moment, so she could understand him better. It wasn’t about her at all…it was about him. I am pleased that she recognized that, felt empathy, understanding, gave some grace, and supported him. Roger, in turn, was also able to understand and express his pride for her achievement. That’s some good foundational work.
E: I like that they talked it out. Its good Roger could articulate what was eating at him and going forward he can focus on what is the best way for him to provide for his family. I agree with him though, her co-workers are in for it.
The last thing your father said to me was
there was no other man he’d trust with his daughter.
You’re mother said, “Take care of our girl.”
I promised them both, and I feel as if I’m failing.
MJ: I don’t know, Marsha. To me, I think he should have grown out of that by now. We’re back to the stuff from season four that made everyone hate him (hah). But he was young then, and it made more sense. They have been through a lot. I’m glad he shared that he was proud of her. And he’s right; pity her co-workers.
He thinks he’s invincible, because why else would he think anything different? Because, you know, he’s been cooped up in his little mansion in England.
He comes from such a life of privilege that I think reality is going to hit really hard and we see that immediately he has some kind of adventure to go on.
E: I was hoping William was up to the task, but this wound may be the death of him. Let’s hope tomorrow brings him more luck.
MJ: Poor William. His commanding officer jinxed him. “Don’t die,” indeed! He must have known this was a tough assignment.
M: Ah-ha! There’s that scene from the Skye Boat song! I knew it was William. He looks exhausted. It’s been a long night and day. He’s injured, hungry and sleepy. His body is screaming, “I have nothing left to give.” He’s seen snakes, alligators, cheetahs … Is there anybody out there who can help me?! Then he hears a branch break behind him…. Oh hell, what can that be?!
E: William looks so dejected here. He doesn’t want to fail in his first real assignment, but he knows he needs help and soon. I am glad to see Rollo and Ian. I wonder how this is going to go but lucky for William Ian is always willing to help.
MJ: Yay! Ian and Rollo! Lord John and Young Ian – both have a habit of showing up just when you need them the most.
I mean you no harm, sir.
Do you Speak English?
M: Oh! It’s badass Ian! William, poor William, is so tired and hungry he tries to bribe Ian to help him. He is basically saying, “Please don’t fight me because I have no energy left to do anything but …eat.” To which, Ian reassures him not to worry. He is safe with him.
I’ve met Englishmen who’d say no.
MJ: Ol’ William thought he was a goner for sure! Like the rich kid he is, he promises money. And Ian was like, um no, you obviously ain’t got nothing!
That was the first scene we shot together. It’s a great little meeting of characters. I had such fun bouncing off of you that day.
There was a great feeling of familiarity between the two of us.
M: As they exchange introductions, Ian immediately recognizes William’s name and is heartened by this opportunity to get to know his cousin (Jamie’s son) while caring for him. Ian understands that William’s arm is of utmost importance at this moment.
E: When William says his name I got all kinds of chills. The realization on Ian’s face of who William is priceless. Hopefully, this is the start of a good friendship.
MJ: It’s a small world, William! Ian knew you when you were a rotten little kid!
We must see to your wound.
What’s your name?
William Ransom.
M: This conversation was sooo cathartic for me. I am so glad that Ian linked his own kinship with Jamie Fraser (uncle) since William remembers Jamie. I believe that one day it will all matter. I always wish for opportunities for William to engage with his family even if he is unaware for now.
It is nice to see Ian freely engaged in caring for his family. Even though I know Ian would show concern for anyone in trouble, I just know he is being extra caring and protective of William because he is family, most importantly because he is Jamie’s son. You can tell Ian loves William already. And William has a growing affection for this man (Ian) who has gone out of his way to show kindness and to help him. Little does William know, they are bonded for life. I love this scene!
E: I totally forgot Ian met William when William was a small boy. William definitely feels much more secure now that these two have knowledge of each other’s families. I can’t wait to see if a true friendship develops between Ian and William.
MJ: You are right, Marsha. It is nice to see those family ties in action. But I sincerely believe Young Ian would have been just as kind and caring to a stranger.
William’s in a really weird position right now because he keeps meeting these people and it’s a lot more complicated for them. But William is just meeting someone that seems really nice or who’s trying to save his life.
But for them, it’s like I’m meeting my brother or I’m meeting my cousin. And yeah, I think things are gonna get a lot more complicated for William when he does kind of realise who these people are. I think it’s a nice thought that William has family everywhere he goes, you know, whether or not he knows it.
M: That injury is a NASTY one!
MJ: Nasty is right!
M: I could barely watch him pick those wood pieces out of his arm! Look at how swollen and red it is! EEW!! I would scream too, and then I would pass out!
E: Did we really need to see Ian digging the wood out of the wound??
MJ: That wound was gross, but it didn’t make sense. The wound looked weird, but not real to me. Looked like a volcano with bubbly lava rolling down the sides. And Ian picking out those two slivers laying on top… I don’t know. Another moment in the production where I was thrown out of the story.
M: It is good to see that it no longer visually pains Ian to talk about his Mohawk past. At the end of the day, as a Mohawk, Ian was taken in by good people. He was welcomed into a community as family. He was able to build a nice life and then sh..t happened. That’s how life works, right? Makes sense to me!
E: Ian provided the better half of the story of how he came to live among the Mohawk. William, not knowing or having met any true Indigenous people is intrigued.
MJ: William asks questions, is naive, but curious. I think I like this version of William better than the book version.
I loved the power dynamic between us where I actually know more about you than you do yourself. Seeing you struggle to find your own identity at that moment, I want to just reach out and hug you and say it’s going to be all right. But I can’t, I’ve got my loyalty to Jamie there.
That’s such a common theme at the beginning of this for William. Every time he has a conversation, there are so many people that know more about who he is. He doesn’t really know anything about his true parentage. There’s something to note too between the two of us is we’re both really passionate about serving and fighting. We just happen to be on opposite sides completely. We’re quite similar but it’s just by circumstance that I’m on one side and he’s on the other.
M: Ian explains that the Mohawk view distress differently. He goes on to explain how the Mohawks, when captured, manifest their life experiences into a death song, if you will. Some are on the spot, some are recalling the past.
E: Hopefully, the writers did get input. The show has been really good at gathering input and I would hate to see them take shortcuts now. William’s Death song is hilarious. How many names does this kid have?
MJ: Neat story about the Mohawk. I wonder if the writers got input from the tribe on this topic. I’m assuming that they did.
M: This scene was comical but sweet when William remembers James as his papist’s name given to him by Mac (Jamie).
I am William Clarence Henry George Ransom.
Earl of . . .
No, that’s too long.
I loved how he starts out his “death song” saying his legal name, and then he starts over and says, “I am William James!”
I am William James.
E: That’s right! I totally forgot. Great catch!!
MJ: Ah, good catch Marsha. I didn’t know the significance of William James.
I am William.
There’s more to it than your name.
M: I love Ian. His sarcasm is so on point! Look at Rollo! Fam recognizes fam! Awww… Ian places the blanket over William to keep him warm. I told you he loves him lol. Love it!
He likes you.
E: Rollo was too cute. “He considers you family now” was a nice touch by Ian.
Already thinks of you as family.
MJ: I don’t think he’s being so much sarcastic as telling William he still has a reason to keep fighting for life. Good ol’ Rollo. He provides comfort to poor William as well.
V: This man has lost his damn mind. That was a ‘way to loooong’ kiss!! I am surprised she didn’t haul off and slap him. Guess she was just surprised to see him. He’d better be glad Jamie didn’t witness it. He would have knocked his ass completely o-u-t! Claire looked totally shook!
Jesus H. Roosevelt Christ!
M: ‘Chile! Vida, I’m with you girl! I was howling at this scene! It had me in tears laughing so hard! But, if you bump into the love of your life after believing she is dead, and she thinks you are dead, you seize the moment while everyone is shocked. Shoot your shot sir, because when Jamie finds out, death may be the outcome so make it count and go for it big time! He planted a wifely kiss on her! She is completely dumbfounded. This scene was GREAT!
E: What in the world just happened and where did Tom Christie come from, and that kiss was crazy. Claire’s brain has been scrambled and honest to goodness she is still trying to figure out what happened herself.
MJ: Dang. Now that was a man motivated to kiss a woman! Take notes, Roger! Hah.
M: That’s right…. you’re coming to your senses now. Next come the questions: Humm . . . is Jamie alive? Oh-humm. . . where is he? He knows what to expect next.
E: Tom was hoping Jamie was dead. Then he would have Claire all to himself.
MJ: Hmm . . . That Tom Christie is all over the place. As a devout Christian he feels bound to be happy that Jamie is alive. But I don’t think he’d have been that sad to know that Jamie had died in a fire, either.
M: Just walk with the man, Claire. He put his life on the line for you.
E: Exactly. WTF just happened and why am I following him to my hotel?
MJ: Poor Claire is still in, “WTAF just happened” mode.
M: Okay. We go from humor in the last scene, to complete endearment and empathy in this one. I am glad Claire told Tom that Jamie knows of his deep feelings for her and that he feels sympathy for him. Oh my goodness, Mark Lewis Jones is brilliant as Tom Christie. He has me completely turned around in my feelings about Tom.
Caitriona’s wonderful to work with. The whole thing is so peeled back and revealing and vulnerable, especially for Tom. But I think for both of them, at that moment, there’s nothing to hide behind. And when I first got the script for that episode, I was delighted we were being given the opportunity to really go for it and deliver what the writers have given.
M: I hated his character early on. I now love this character. Tom is tormented by his love for Claire. You can see it plain on his face… look in his eyes, I dare you not to weep for him. Mark plays that role so convincingly! Anyway, that is what he is trying to say in this scene that he is tormented in his love for her.
E: Tom is delusional if he thinks Claire didn’t tell Jamie. They tell each other everything. Poor Tom, still coveting the thing he can’t have which totally goes against his beliefs.
MJ: Yes he is tormented, but it’s a self-inflicted wound. He knew she was married from the first moment he saw her.
M: That was a little joking moment between them where they discussed how they each played a part in saving each other’s life. “You wouldn’t be alive today if you hadn’t finally agreed to let me save your hand back at the Ridge!”
E: I’m on the same page, all of the lives that Claire and Jamie touch are inextricably intertwined with theirs.
MJ: It does show how their lives are completely entwined, doesn’t it? In a sense, they both share an orbit around the great James Fraser.
V: Doesn’t e’rybody?!
M: I am still mesmerized by Tom’s character in this entire scene. Tom is so grateful to be looking upon Claire’s face, while agonizing being in her presence because her heart will never belong to him. And Caitriona as Claire plays these scenes so convincingly that you experience her agony and pity as she sits with him knowing how he feels.
Okay, back to the scene at hand… Tom discusses how his family is no longer alive or living on the Ridge so there was no reason to return.
E: Claire’s face when he said that Alan never returned to the ridge says it all. No one other than Claire, Ian, and Mrs. Bug know what happened. She feels for Tom and is doing a good job of not giving him hope.
MJ: He strikes me as a wee bit unstable. I believe if he lived in our time, he might be medicated for bi-polar disease. There are two conflicting personalities all up in that head.
M: The other best actor in this scene is the music. Go Bear McCreary! I feel like my heart is being pulled into the pit of sadness watching them work this scene with the music playing in the background. I am reading their oh so painful body language as I listen to them speaking. This is all too painful to watch. I am so saddened for this man.
M: Now, I was shocked to hear Tom admit that he placed the infamous obituary in the paper when he learned the house burned down. In tribute to Claire, he had to leave some type of written memory of her especially since he couldn’t leave flowers on her GRAVE!! OMG … did you see the look on his face at that very moment as he choked back tears while telling her??! I am tearing up again, now! And Claire’s look of recognition of his torment is a tear-jerking moment as well. They are killing me!
MJ: Yes, Marsha. So now we know where that obituary came from. But he didn’t have all the information since he found out about it well after the fact. A lot of joys and heartaches were set in motion by that obituary.
E: I always wondered who placed the obit. Now we know that Roger’s questions about God and that they changed the past. But in reality, Claire and Jamie weren’t ever going to die in that fire.
M: You’re crying, I’m not crying! Tom, stop crying (you are tearing at my heart). This scene was exquisite! The joy in his eyes, along with his tears, as he shyly (humbly) explains how he loved two women in his life, and she is one of them. He thought she was dead, yet here she is…cue music, once again. (Y’all are killliing me)!
E: I have no words for this entire scene.
MJ: Don’t cry for Tom! I do like that he’s brutally honest. In this scene, he reminds me a bit of Bree’s future boss. A man confronted with a woman who speaks her mind and is not afraid to ask questions. Instead of sputtering, he just lays it out, “Claire, you are a most uncomfortable woman.”
M: That is all. (tears… buckets of tears).
MJ: Not me. Not a tear shed for that big bucket of contradictions. He despises one witch, and desires with the pain of unrequited love the other. I do wish him peace. I guess living without having her is the bane of his existence. Thinking she was dead and beyond him gave him peace for a while. But old fool… she’s always been beyond you.
E: I don’t feel bad for Tom. Openly, him wanting wanted another man’s wife knowing he shouldn’t, pledging his death to “impress” her by saving her put Claire in his debt. HE can continue to be tormented for all I care.
M: I laughed so hard when Claire explained what happened to Jamie. I love his jealousy and I love their banter! All in all, Jamie understands Tom and he is grateful to Tom. He is not threatened by him at all.
E: He was enjoying teasing her. So much fun.
MJ: He is with me. He has no patience for Tom Christie’s self-inflicted heartaches. He does understand desiring Claire, however.
M: Well, this is another favorite scene between them. I am so fickle. I feel like I betrayed someone. I was just talking about crying over Tom because of his feelings for Claire (for several clips here).
And here I am jumping for joy that they are finally together for some long overdue personal time. They had a rough few episodes and everything had to be placed on hold. I sure do switch gears fast when it comes to the two of them!
E: I loved this scene. It was so playful, and we haven’t seen this between them for some time.
MJ: I appreciated the conversation about jealousy. Also, that Jamie mentioned that Tom kissed a woman he “didn’t even know.” He knows that Tom’s fierce passion for her is probably based on his jealousy towards Jamie.
They were rivals for the men’s loyalty and allegiance back in Ardsmuir. And now Tom is hopelessly in love with Jamie’s wife. Tom is always on the losing end.
M: Jamie reminisces about the Native medicine woman, Adawehi, who told Claire she would have great power when her hair is white. And in typical Jamie form, he makes a joke about being careful bedding her before she becomes so powerful that she could become dangerous.
E: Loved it all!
MJ: Yes, more sweet teasing between lovers again.
M: Well, that’s a mighty long list, Jamie!
MJ: Of course she took advantage – as any woman would, Jamie Fraser!
M: Jamie, you know how to trigger Claire. Don’t mention Laoghaire! This scene was so romantic, erotic, hot, and steamy! Whew! It was so tastefully acted! Their chemistry is unmatched! Oh… the mirror was a beautiful touch!
E: LOVE THIS!!
MJ: Yes! The chemistry between them is spot on! I read in the media that some fans were complaining about the lack of hot scenes between them.
But I think this one was perfect. Just enough. I don’t need to see boobies and butts to feel their passion.
What really is evolving is these two characters and this marriage. You know, we’re talking 30 years later. It would be highly, I think, unreal and unrealistic if they still had the same kind of first passion that they had. This is something that’s grown over time, it has deepened, it has evolved. They are no less passionate, but it’s just in a different form.
M: Go, Ian! You found help for William! Nice job!
E: Ian, Always resourceful.
I just tried to do as much research as I could. I watched season one and six of Outlander to get a feel for the show and the characters, and then I read the books from when my character Denzell enters. Researching the Quaker faith and American history of that time period was also really helpful to create a world for yourself before stepping onto set.
V: Yay, it’s the Hunters! Wow, so I guess Ian catches on quickly. He mentions the neighbors called Denzell a ‘physician,’ but I don’t recall him ever using that term before. Guess he is trying to relate.
M: I have been waiting for the Hunters too, Vida! Their farm looks so inviting! Now that we have got the formalities out of the way, my cousin, I mean William needs your help … like yesterday, so hurry!
E: I haven’t read past the early part of B7, so the Hunters are new characters for me.
MJ: Yay, these actors are perfect for their roles!
She [kind of comes into] the series in quite a chaotic, action-packed way. It changes the course of her life, really.
V: Why is Chris Brown’s ‘Yo, Excuse Me Miss’ playing in the back of my head? What an exchange they had. Their chemistry is already oozing off the scene.
M: Haha! I hear ya, Vida! Wow! Now that was some hello chemistry between Ian and Rachel! Nice job casting director. They hit it out of the park with Denny and Rachel. Ian is ready for Rachel. I hope she’s ready for him. That’s a grown a.. man… don’t play with him.
E: I liked how Rachel and Ian gave each other the once over, repeatedly!
MJ: Ah, it will be nice for Young Ian to find love again.
Outlander’s casting director/team pull it off again! I was delighted to meet Joey and Izzy on set at Lake Menteith a year or so ago. From stature (they’re both slightly taller than I am, but everybody is…) to having a very direct, pure sort of impact…they inhabit the Hunters beautifully. Tough, sturdy, and totally honest; emotionally very open.
V: FETCH THE SAW? What is happening here? I know good and damn well you’re not about to chop off his arm just matter of fact. Yeah, nephew Ian is feeling the same way – just wait a damn minute, here.
M: RIGHT?!! Fetch the saw! Are you kidding me?! DANG! Denzell peeled back that gauze and said I don’t want to touch that ‘ish, it’s too much work… let’s just cut it off! Even Ian needed a minute, and it wasn’t even his arm!
E: I thought that arm was a goner. I was not expecting them to just say let’s cut it off. I guess that was the time though.
MJ: Now hold on a minute —
Rachel, fetch the saw.
M: Denzell explained his infection is spreading quickly so he wants to perform extreme measures to save William. William, says, wait… what?! Ah hell no! Rachel is so damn gutsy! She was like, get up and get out then! Don’t waste our time.
Poisonous bile is spreading through they friend’s body.
I must remove his arm.
E: I think Ian love’s pushy women.
No. N-no.
I will not submit to this.
MJ: Hah! She’s like, get thee out and back on thy road then!
Then kindly remove thyself from our table.
I think it was a little tricky in the way that you want it to sound like everyday speech. Like this is how they’ve always spoken. You don’t want it to sort of sound affected or too out of place with everybody else. But I think the way that they do speak – the “these” and “thys” and all of that became kind of second nature in the end to the point where we actually would use it in our own speech accidentally. But I think they’re such well written characters that it doesn’t feel out of place at all, and it was quite nice to use that Quaker speech because I think that really helped sort of ground the character as well.
M: I’m telling you, I love Ian! He has been so influenced by his Uncle Jamie. He is such a gladiator! He is down for whatever is needed for the greater good. Right now, he sees he has to be a pillar of strength for William. He’s got to get him through this terrible life-altering situation. Giving him Jamie’s rosary was such a touching move. William collects his thoughts, rallies his inner strength and prepares himself for the worst.
MJ: I remember when Jamie was under threat of losing a limb. Ian helped him through that as well.
V: O-M-G, so . . . you’re just going to amputate his arm and not give him any sort of anesthetic? Where is the damn whiskey or something to knock him out? I know they are Quakers, but pain is damn pain. And this will be an excruciating pain.
M: Those tools creeped me out. I think only Claire has anesthesia. Everywhere else, they have to just tough it out!
V: Yeah, I know. When I mentioned anesthetic, I meant something to ease the pain, not anesthesia. He has to have something for a surgery like that. That’s why I mentioned whiskey, like Jamie gave Tom.
M: I agree, he needs whisky…bottles of it!
E: I was ready to scream for William as soon as that blade touched his arm.
MJ: This isn’t really about to happen is it?
V: Oh okay, Denny. SIKE. You’re trying to give me a heart attack. Why didn’t you tell them/us from the beginning this was possible?
M: Nah, hey was legit committed to the deed. Mannnn, Denzell and I would have to have words after! He was really going to cut off his arm! It was only by chance when he applied saw pressure (and he did apply enough saw pressure to draw blood on his arm). So in my mind, he was going in for the win! But William’s arm was so red and swollen, his arm had to be full of pus. It looked like kielbasa sausage on the grill when the skin gets tight. Why didn’t he just prick him first? Then all that drama would have saved William so much agony over potentially losing his arm…because bruh… passed completely out! Poor thing.
E: I let out a sigh of relief when that pus came out.
MJ: You heard of being saved by the bell? Well, William’s arm was saved by the puss bubble!
M: That looked so nasty, I can’t believe they had two gross scenes in the same episode. The wood chips and the puss. I still say, Denzell should have started with an abscess and then moved to amputate. That man was gonna take his arm without investigation. He’s just trying to clean up his story afterwards.
But I’m not mad at him. William will be fine. Yes, he passed out from the impending trauma, but he needed some sleep anyway.
E: This episode had a lot of gross scenes. Hopefully, they met the quota for this half of the season.
MJ: The pus was suitably gross. Outlander, from the first scene in S1, is always going to bring you the gross surgeries. The pus is disgusting, and Denzell is all, “YAY!” Claire is going to love this guy if they ever meet!
M: Would you like some scones, Roger? Oh, oops wrong story line… right sentiment tho. The bottom line in this scene is someone is smitten! We are happy William is okay; but can we talk about this Rachel and Ian thing that is happening in this scene? Let me say, I want Ian to find happiness, because he has had enough sadness in his life. I want him to find his person.
That said, Ian is a sight to behold in his attire. He is visually pleasing, strong, smart, confident, trustworthy, and he is sending some sexy vibes of his own during his conversation with Rachel. She was sending him plenty of eye signals as well which he picked up on.
E: Yes, he was giving off all the vibes. She better watch out.
MJ: Well said, Marsha. She good taste in men.
Then I should take my leave of you.
Oh?
I thought thee might stay unit
William is well enough to travel.
V: Aww Rachel, you know you’re not really all that concerned with Ian staying for William. We know you want him to stay so you can have more time with him. And I’m not mad at ‘cha for that!
M: He’s sending up some serious signals before he left. They definitely have chemistry! I think she may have expected him to make the first move because that is customary. He knows his appearance is a lot to accept in the non-Indigenous society. I believe that may be what initially held him back from saying more. Although, he did say it was a pleasure with emphasis on the word “pleasure” making her acquaintance, while giving her the look.
I’ve been told my manner can be too forward.
E: I think he was focused on his mission, and he knows he is going to come back and find Rachel when his mission is done. He knows where and how to find her.
MJ: She’s absolutely fascinated with our dashing Young Ian and wants him to stay around! I think she’s drawn to his unusual appearance!
Maybe I’m use to it.
My auntie’s a physician.
I’ve seen her heal plenty of stubborn men.
Sometimes “too forward” is exactly what they need.
V: Okay, nephew Ian, that little hamster must’ve awakened you to the clues. Get yo’ Mack on! Oh-wee, you see your Auntie Claire in her, don’t you? So much nonverbal conversation is going on with these two. And that look Ian is giving her, with that slight smile, is giving off Jamie looking at Claire vibes.
M: I totally agree, Vida! They were on fire with the setup. I can’t wait for future episodes. This will be an interesting ride!
E: Very good chemistry between these two. Can’t wait to see more.
Well, thank you for the tea.
I’ll be on my way.
Is thee certain thee wouldn’t like to say goodbye to William?
He should be awake soon.
You may tell him goodbye for me.
M: I tried the “wait for your friend to wake up” line. It didn’t work. The way Ian takes the rosary from her hand, carefully trying not to touch her skin, just sent me! Then, he gives it right back, for William. Go Ian!
E: She is going to keep that rosary…William will have to find something else.
MJ: I wonder why he gives it back. I think she’s curious too. She’s very devout, so she’d admire a man who has those principles as well.
It was a pleasure to make your acquaintance, Miss Hunter.
And that of your brother.
It was a pleasure for me as well.
V: So, Rollo, you think of her as family too?? Hmmm . . . You know animals have an innate instinct, humans too, but I think theirs are keener. The way he ran to her side, at first, I thought he was going to stay with her. And he whines when Ian is leaving, like he doesn’t want to go.
M: I can’t add anymore to what you said, Vida. I totally agree! I told you earlier about Rollo. Fam recognizes fam! Even Rollo felt chemistry.
E: Love that, Vida! Rollo was feeling her too!
MJ: I was waiting for Rollo to stay put on the porch with her. Heh.
V: Okay, seriously . . . John and Izzy are knocking their scenes out of the park. You can just feel the chemistry between Ian and Rachel. Good grief. And what is this new song? I’ve never heard it before. Could this be a new theme song?
M: That last look before he left said, “Woman, I will eat you up. You’re not ready for me…yet!”
The longing look by her followed by the look-back by him screams CHEMISTRY!!! This season has been so much agonizing fun to experience! Outlander is outdoing itself this season. They are on a roll!
Roger where are all the biscuits and crisps?
And, the lemonade.
I just went shopping yesterday.
Maybe it was the pixies again.
M: They need to sit down with Jemmy and have a full-blown conversation.
Jemmy, do you know what happened
to the biscuits and crisps?
No.
Jemmy, tell the truth.
It was a Nuckelavee.
M: That boy is trying to tell them something about experiences he is having. Given what they have all been through with time travel, I would not dismiss anything that he says as pure imagination.
Nuckelavee?
It’s a. . . folk tale from the northern isles.
Kind of a horse-like demon.
E: Once he said the demon was going to take Mandy, I was on team Jemmy. Something is up, fairy or not!
MJ: Hmm. . . I thought it was odd before when Jemmy just accepted his punishment over the radio incident. Here is telling his parents that it’s REAL this time.
E: A horse like demon? They better check this out.
MJ: I thought it was so cute that he covers his little sister’s ears. Despite their battles, he’s still her protector. You are so right, Marsha. I read once that Indigenous families listen to their children. They need to listen.
M: Roger is right though. Jemmy is saying these things for a reason. And he is also guarding their family secrets. There is something going on that they need to get to the bottom of with Jemmy. He is not crazy; he just doesn’t have the vocabulary to adequately explain his experience. But he is telling his story with conviction, and it isn’t changing. So, parents, y’all have some work to do figuring it out.
E: It’s time for them to puzzle this thing out. No time to think Jemmy needs to stay a kid when he is trying to tell them something is going on.
MJ: Exactly! Jemmy is not crazy! I’m a little frustrated with these parents. Jemmy is not a liar and he’s not prone to fancy. Come on!
M: Mhmm… those biscuits don’t eat themselves. Who’s messing with Jemmy?!
E: So odd that the parents aren’t more inquisitive. Why haven’t they asked Jemmy to show them where he saw the demon? How often does he see it? You know, normal questions.
MJ: And how on earth did Jemmy come up with nucklavees? Come on mom and dad, at least ask the kid that question!!!
M: Tread lightly, Roger (Dad). I am surprised she thinks whatever is going on is in Jemmy’s mind.
MJ: LOL, Marsha. It’s like they don’t know this is a pretty mystical magical story that they are living in!
E: Ya’ll need to listen to the kids…they are trying to get your attention.
It is regrettable that thee cannot keep that beard, William.
It is such a striking color.
I should think you would consider it rather unseemly
for me to have it, Miss Hunter.
Both because I am a gentleman and I understand
that Quakers deem vivid colors to be too worldly.
V: Okay, she mentions the color of his beard. So ‘wild color’ equates to worldly in the Quaker’s world; and if so, you can’t be a gentleman? He’s been there a while. Did his beard grow out red – ‘a wild color’? Inquiring minds, like mine, want to know.
M: I do see a reddish shadow in that beard she’s shaving. Hmmm, maybe so! He had more dark auburn/red highlights in his hair growing up.
E: I thought she was referencing his red beard. I think he was flirting with her, but her heart has been taken.
MJ: Ah, ginger makes an appearance!
V: There’s no way I’d want to live in a place called Dismal anything, Great or otherwise. How depressing. The closeups show William’s hair has a reddish hue to it. Has he been dyeing it black all this time? I ‘luvbs’ me some Rachel. She knows he is not telling the whole truth. He thinks he is slick, but she is smarter and more intuitive than he thinks she is.
MJ: Yeah, naming your town/area the Great Dismal seems like you’re asking for trouble.
M: She is a truth teller. Whether you want to hear it or not. If you ask her, she will tell you exactly what she thinks. Straight up, no chaser! I can say, he does have a smitten look on his face.
E: Right, Marsha! I think he is smitten!
M: She examines his scar and thinks it is an admirable mark, as it reminds her of the star that led the Wise Men.
MJ: He is not too worldly. That is true, Marsha. Maybe she sees his potential. 😀
M: She explains they are leaving to join the opposing side (the Rebels). Her brother feels compelled to use his talents to help in the war.
E: He was all put out when she mentioned that she was going to the opposing side. She is not going to be deterred and if he is smitten, he will have to get on her page.
MJ: I love her already. Sweet young thing with the courage of her convictions. This is about liberty, not rebellion. Lots of “uncomfortable women” for these men in this episode.
M: She further explains that during a meeting of the Friends, Denny had a difference of opinion about the war. He believes liberty is more important and sides with the Rebels. Their community was not supportive of his views and pretty much kicked them out.
MJ: I have to wonder why she is telling him so much. She helped him, and she knows he’s a good man, but she’s got to be suspicious of him since she can tell he is high born. And she knows he’s not telling her the whole truth. Is it a good idea to give him all this information about Denzell’s position on the war?
Yeah, they’re completely going against everything they’ve ever known, everything they’ve ever believed. But Denny believes that liberty is a gift from God, and he feels very strongly that he wants to go and help the cause. And Rachel would follow him anywhere. Their bond is very unique and they’re very loyal to each other. And there’s no way that I think she trusts him to go off in the world by himself.
E: Isn’t Sam one of the people he was supposed to deliver a written message to? Now he no longer has the papers so hopefully he can come up with something.
M: Yes, after confirming that Cartwright is a mutual friend and the person he was assigned to provide a letter. It’s probably why he asks to ride with them when they leave.
MJ: Hmmm. One of the people he is supposed to deliver messages to. That’s odd.
V: So, aren’t the messages he was bringing still with Jupiter, or does he have them? He is truly trying to be slick here, but she is just being polite to him. You don’t see her longingly looking at him as she did Ian, and she’s been with William longer.
M: That is a good question, Vida! I think he put them in his pocket. But I am going to have to check on that one. She isn’t interested in him. Her interactions are without emotion unlike the chemistry she has with Ian. However, I think he likes Rachel.
E: I think the horse still has the messages; or, whoever has Jupiter has the messages now.
MJ: I guess it shows that she isn’t just thirsty for any man. Hah. Young Ian has to be quite fascinating to her – Mohawk tattoos and Scottish brogue!
V: Seems that hamster is running around on the wheel in his head. I can’t tell if he is worried, curious about the turn of events or what.
M: I am puzzled by this reaction as well. I think his mind may have diverted back to his assignment. He’s probably wondering how and where he will deliver the remaining two messages.
MJ: I think he’s thinking, “why would one of his delivery targets be encouraging neighbors to go to Ticonderoga and join the rebellion?” Because that’s what I’m wondering.
Claire VO: People who don’t believe in telepathy
have never set foot on a battlefield
or served with an army.
M: Well, it’s finally real. Jamie and Claire are leading the troops to war.
E: We have seen this so many times. Those two heading off to a camp site in preparation for a battle and war. They were so close to leaving and having nothing to do with this war but duty calls.
Something passes unseen from man to man
When an army is on the move.
M: This is a depressing scene because it depicts all types of people, those prepared, those unprepared, in uniform, carrying chairs, some with weapons, other without weapons, and women. Many of these people will not make it.
E: Claire’s voice over about people knowing death is right there with them is haunting.
The air itself is live with feeling – –
Half eagerness, half dread.
It dances over the skin,
knowing with every step death walks beside them.
Each hoping to live or die well.
M: Like Claire says, “Each wanting to live, or die well.” Dang.
MJ: She knows war intimately. That’s something she carries with her always. For her, I’m sure all of the wars just blend together. When soldiers go to war, there’s no difference between 1780 and 1942.
There it is.
V: Oh yes, the King of Men and his better half were leading the pack.
M: As an officer, he should be out front, too. Jamie’s carrying the big rifle!
Ticonderoga.
MJ: Here we go. Off to war. I’ve been kind of dreading this. I am not a huge fan of the war parts of the books. I trust the writers will remain focused on the characters and their stories.
E: I’m with you. I am not a fan of all of the wars.
V: That was so brilliantly filmed from the line all the way to the front to the aerial view of the camp. I honestly thought it was going to end with them still walking.
M: And we ended the show with that wonderful aerial shot of camp Ticonderoga. And with that zoomed out shot ends another brilliant episode of Outlander!
Episode Rating (1-5 Shots)
We give this episode 4-shots! We thought the majority of the scenes were masterfully executed and the acting was superb! The cinematography is as important as the acting. The music score was keenly crafted for each scene. We really enjoyed that this episode took place across a lot of locations and scenery. New character introductions added to the fullness of the episode. It felt longer than 51 minutes, but none of it was boring. Despite this, for one of us, there were just too many little places where things weren’t right. The “I can’t stop this from happening until it’s too late” and the volcanic wound were the biggest offenders.
Overall, we enjoyed the progressed multiple storylines this episode offered in a short amount of time and that it provided a lot of depth to the characters. We also liked the title of the episode and how it reflected three – Claire, Bree and Rachel – uncomfortably strong women. McCreary craftily composed the music score to fit each scene. However, some of the scenes didn’t work for us. Even a scene we liked a lot – where Roger and Bree discuss his reaction to her getting a job – was a mishmash of his thoughts about what it means to take care of his family and his thoughts about predestination. And, although the scene of Tom kissing Claire was from the book, one of us did not think it flowed well.
There were several scenes that were our favorite. One of us loved the scenes with Tom and Claire in the Inn dining area, with Claire and Jamie in their bedroom and all the scenes with Ian and William. For another, it was the one with Roger and Bree as they discussed his evolving feelings about fate and if their lives were predestined. She doesn’t think that they changed history; just that, Tom’s obituary had the facts wrong, and Jamie and Claire were never meant to die in that fire. Last, for the another, it was when Ian met Rachel and when he was leaving the Hunters farm. They had so much nonverbal communication. Fabulous!
Jacquie Gould did a wonderful job directing this entire episode where nothing was missed. The cinematography in Outlander is always beautiful. Scotland’s landscapes are a star of the episode. The opening scene in the forest with Jamie, Claire, and Ian were very beautiful, yet foreboding.
The unanimous standout performance was John Bell, portraying Young Ian. He elevates every scene he is in. He shows great skills and talent switching from deadly warrior to the most gentle and caring young man. And his ‘ride or die’ companion, Rollo, was another. Rollo showed a lot of personality in this episode, and we found out he does cozy up to people other than Ian. Honorable mentions go to Lewis Jones as Tom Christie, Izzy Meikle-Small as Rachel, Caitriona Balfe as Claire and Sam Heughan as Jamie.
Our two favorite costumes were Young Ian’s and William’s. Both consist of intricate, multilevel designs, ornaments and fabrics that are just stunning.
LOOKING FORWARD
What we are looking forward to in S7 Epi5 – Singapore?
Marsha: I am looking forward to seeing several plots in Epi5. How does the Rachel and Ian storyline unfolds. How does Claire transition to a shared physician role with a condescending “hack” as her adversary. How does Bree manage her work crew. How does Jemmy’s mysterious demons story unfolds. There is so much happening in each episode. For each plot that comes to an end, there seem to be equally new plots introduced, keeping it exciting attempting to keep up. It’s exhausting, but in a good way! Bravo Outlander productions! Follow Marsha on Twitter – @marshapatrice.
Evelyn: I’m open to whatever is next. Follow Evelyn on Twitter – @ELoran.
Marva: Oh, oh. Looks like Claire is about to butt heads with another 18th century so-called doctor! Follow Marva on Twitter – @mjsol.
Vida: Listen, I am just looking forward to the next episode. Each episode escalates to the next level. We are now at the midpoint and things are heating up. Of course, I want to see how they film this war in comparison to others. I am glad to see that Ian and Rachel will reunite after having so little time together and to see the excitement each has of seeing the other. I hope we will see more of them together. Jamie and Claire will have similar roles as they’ve had in the past. But this is Outlander, and anything can happen to them. It will also be interesting to see how Bree navigates in her new role and if we find out who or what the Nuckelavee really is. Lastly, as with all these episode titles having a double entendre, of sorts, I want to know what Singapore relates to in Epi5. Follow Vida on Twitter – @blacklanderz.
Outlander S7 Epi5 Preview – Singapore ~ Video via STARZ
Synopsis:
See why we love Outlander on Blacklanderz® Speak!
Disclaimer: We hold no rights to any of the pictures. No copyright infringement intended.
Blacklanderz® 
As always this Convos was lively and awesome. Your discussion of the gross parts was funny. The initial reactions of Ian and Rachel was on point and the fact that Bree and Roger are green to something strange is going on with Jemmy. Oh and the shockingly long kiss Tom laid on Claire and it’s affect on her, lol. I loved reading it!
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